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| The industry term ‘script reader’ implies that I simply proofread screenplays. My actual task is closer to that of ‘story analyst’ or ‘consultant’. In reading your story I ask key questions. What’s it about? Who's it about? What do they need? Who or what is stopping them and why should I care? |
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| I read your entire screenplay or treatment in one sitting. During a second read I make extensive notes regarding your story’s ability to grip in relation to what it’s about and how you're telling it. Then I set out my response in a report that will help you to develop your first or next draft. |
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| Rather than tell you how to write, my feedback will reveal how well your story engages on an emotional level. Do your characters raise sufficient empathy? Does a universal truth emerge? Are my expectations let down? Does my attention flag or my suspension of disbelief collapse? |
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| I compare films that adopt similar themes or dramatic devices as a basis for mutual understanding. |
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| I won’t dwell on format issues but you must address that aspect of your screenplay before revealing it to the industry. For now, let’s get the story nailed. |
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| Polish & Rewrite Service |
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| I frequently hear producers say they’ve progressed as far as they can with a writer, that the script is “90% there”, a step away from attracting the best creative talent. |
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| Additional writing by a script editor or ‘script doctor’ is occasionally required at all industry levels. Whether your script needs a polish, improvement upon specific elements or a complete revision, I deliver quick results, alone or in collaboration. |
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| Contact me directly to discuss the unique requirements of your project. |
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